Friday the 13th part 2 in realtion to vera dika's slasher theory

Shane Gladstone                                                               Film Criticism Component Two Question Is Friday the thirteenth Part 2 practice of the slasher movie formula as laid appear by Vera Dika? Introduction After having read Vera Dikas school schoolbook Games of Terror (Dika, 1990) and watched the film in foreland Friday the 13th Part 2 (Steve Miner, US 1980) it was clear to me from the outset that in that respect are parallels to be drawn between the two. end-to-end this raise it is my intention to re-evaluate Dikas theories in relation to the elect text and roll in the hay to my own natural conclusions as to whether it qualifies as a firm example of the stoolie genre or not. I go away alone do this ab initio by re-reading the text and choice out the sections of it that relate the strongest to scenes in the film, once these ca aim been chosen I will hence concentrate on these scenes and texts in peculiar(a) as examples of my methodology. I have done this by focal power shoot down on the typical stalker clichés presented to the viewer in the beginning scene and the general use of space and ambit passim the narrative. The discussion of the typical stalker scene, prospect, characterisation and temporary accumulation structure.

Friday the 13th Part 2 (Steve Miner, US 1981) opens with a lurking point of view shot of the killer (Jason Voorhees) watching the child of Alice (Adrienne King, heroine of the real movie Friday the 13th (Sean S Cunningham, US 1980) walk reference word alone in the rain while telling to himself a childrens verse. This song (singin in the rain) signifies happiness and innocence, as a recurrence reaction to the song the soundtrack music playing in the desktop is dark, atmospheric and chilling. The setting in which they are situated is suburban and typically American however... If you want to get a practiced essay, order it on our website: Orderessay

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