The Musical

The Musical The classical period of the musical coincided with the heyday of the Hollywood studios from the early thirties to the early fifties. The conventions of the integrated musical were organize in the Astaire--Rogers musicals made at RKO in the thirties and the devise peaked at MGM in the forties and early fifties, most notably in films produced by Arthur Freed. Thomas Schatz has provided a utile definition of the integrated musical. `Rather than create a possible --or at least plausible --world whose inhabitants find reasonable motives for rupture into song (rehearsals, shows, etc.

) the music itself seems to determine the attitudes, values and demeanour of the headland characters. As the musical genre evolved it sacrificed plausibility for internal register logic, steadily expanding its range of narrative, visual and musical expression. The nature of desegregation in the film musical lies not simply in the idea that the music and the dances, in particula...If you want to get a full essay, order it on our website: Orderessay

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