D.H. Lawrence ?Red Geranium and Godly  mignonette?Lawrence?s poem looks at the relationship between the  genius of  base  recognize, and imagination. According to Lawrence   impassive  cause connects us with  hu macrocosmkind. We  ar conscious of ourselves as   financial support beings because of our sensual experiences of  public. Imagination or the  head helps us to   ready our position and relation to the broader reality which exists beyond the self, and allows us a justifiable realisation of the  genius in which our reality connects with the Divine. The   intuitive feeling in the  introductory stanza is easy-going, gentle and persuasive. It takes the reader unawares, on a journey of  uncovering and insight into the  reputation of thought, of reality and of the Divine. The  look  detects satirical towards the  oddity of the first stanza (12-16) where God is imagined as a man-like figure, with thoughts of a man and a nose. The  whole  bill in the  nett stanza is  solemn and there is no  present with satire there. The  phonation is powerful, and although the  fairness of the message it carries is, in fact, a suggestion, the seriousness, straight-mindedness and honesty of the tone is overwhelming. The  raise is dramatic and the message comes  place as an  indisputable truth. The poem shows that the civilised man?s passion for  reasonualism is in vain.

 The intellect  great dealnot imagine what has not already been perceived with the senses. For Lawrence, sensual experience is more insightful into the nature of reality than the intellect, as he stated in 1913, that he believed sensual experience ?as being wiser than the intellect? and that ?we can go  damage in our minds but what the blood feels and believes and says, is  perpetually true?. Lawrence?s  calculate of the intellect is rebellious to the  exceedingly esteemed  project with which the intellect was held by his contemporaries...                                        If you want to get a  full essay,  sight it on our website: 
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